Mt. Vernon : Buzz

John Waters had enough of hitchhiking and headed back to the stage. To commemorate the 25^th anniversary of his film set in his hometown city, he will launch Hairspray: In Concert! next year, according to Broadway World.

Hairspray: In Concert! will premiere with the Indianapolis Symphony Orchestra Jan. 11-13, 2013, and with the Baltimore Symphony Orchestra Jan. 24-27, 2013, writes Broadway World.

The cast includes Broadway stars Nick Adams, Marissa Perry and NaTash Yvette along with Waters himself. Read more about it in Broadway World. 

While the NBC sitcom Parks and Recreation filmed scenes in Washington D.C. last week, the Netflix movie House of Cards recreated the nation’s capital right here in Baltimore, reports the Washington Post.
 
House of Cards shot overnight Wednesday and into Thursday morning at the Johns Hopkins’ Peabody Institute, which was “transformed into the fictitious ‘Hotel Cotesworth,’ a supposedly historic D.C. institution where the presidents have slept,” writes the Post.
 
The political thriller has also used the offices of the Baltimore Sun as the set for the show’s fictional newspaper, the Washington Herald.
 
House of Cards stars Kevin Spacey, Robin Wright and Kate Mara and is directed by David Fincher, director of Fight Club, The Social Network and The Girl with the Dragon Tattoo. 

Last month the Baltimore Symphony Orchestra gave 104 amateur musicians a taste of what it's like to be a part of a professional orchestra. These individuals participated in BSO Academy, a weeklong camp of lessons, rehearsals, master classes and, finally,  a concert at Joseph Meyerhoff Symphony Hall.
 
The New York Times profiled many members of the BSO Academy, including a cold-war-era Navy pilot; a judge’s assistant who took up the viola just three and a half years ago; and a French horn player who was able to make it through the vigorous preparation and performance despite a tremor from her Parkinson’s disease.
 
“It was a musically enthusiastic, even obsessive, bunch. Most spend countless hours a week practicing and playing in wind bands or community orchestras or chamber groups, in many cases more than one,” writes the New York Times. “It’s an older group. Many returned to music with fervor in retirement or in homes recently emptied of growing children. For some, music-making is the backbone of their social ties or an escape from the pressures of work.”

You can read the entire story here. 

 A number of cities, including Baltimore, are planning events commemorating the 200-year anniversary of the War of 1812.

The celebrations are featured in an AP story that the Wall Street Journal ran this month.

"The War of 1812 inspired Francis Scott Key to write The Star-Spangled Banner after soldiers at Fort McHenry in Baltimore raised an American flag to mark a victory over the British on Sept. 14, 1814," the Journal writes.

It goes on to note that the original manuscript for the song will be part of a War of 1812 exhibit at the Maryland Historical Society. You can read the rest of the story here.

Meanwhile, the New York Times wrote its own piece on the festivities.

"In Baltimore, as part of a festival from June 13 through June 19 known as the Star-Spangled Sailabration, the Baltimore Symphony Orchestra will debut a new composition inspired by the conflict," the Times writes. "And 20 tall ships and schooners, many modeled on period vessels, will drop anchor in the harbor for tours."

You can read the rest of the story here.

Charm City residents know that Baltimore gets a bad rap on the small and silver screens. 

But someone who writes for a national newspaper and doesn't ?live in Baltimore has come to the city's defense. 

Joe Queenan cites numerous examples of Baltimore's harsh treatment, starting with the most recent, The Raven. Starring John Cusack Edgar Allen Poe, the movie depicts innocent Baltimoreans getting murdered in the most gruesome manner. 

"Can the entertainment industry please stop picking on Baltimore?" Joe Queenan writes. 

Shows like the Wire and Homicide didn't do the city any favors either. In fact, the only time the city ever gets a break is when John Waters shows off the city's quirky characters, Queenan writes. 

The writer takes a yearly day trip Baltimore to visit the National Aquarium in Baltimore, the Baltimore Symphony Orchestra, the National Museum of Dentistry (hey, wait, we've never even been there) and other sites. You can read Queenan's entire ode to Baltimore here. 

Baltimore's coffee shops has gotten some press from the Huffington Post. The website features a slideshow of local spots to get a java jolt, including Hampden's Spro, Mount Vernon's Koffee Therapy and the Four Seasons Baltimore's Lamill Coffee.

"What is different about Baltimore's coffee renaissance is that it has percolated less through the corporate culture of selling high-end brews to rich people than through home town pride," the Huffington Post writes. "The thinking seems to be that this is the sort of economic development that can keep talented people in a city suffering from brain drain."

You can read the rest of the story here. 

There was a lot of buzz this month about U.S. News & World Report's ranking Johns Hopkins University ranking No. 2 on its list of top medical schools. 

But another Baltimore school has also made the grade. In its list of top fine arts schools in the nation, U.S. News ranks the Maryland Institute College of Art No. 7. It tied with Carnegie Mellon University in Pittsburgh and Cranbrook Academy of Art in Bloomfield Hills, Mich. for the No. 7 spot. 

Yale University took the No. 1 spot. You can see the rest of the ranking here. 

Tina Fey's "30 Rock" is known for featuring A-list celebrities, quirky characters, and absurd humor. 

And now, it's also known for taking a stab at Baltimore.

In an episode this month, Mary Steenburgen is walking along a New York City sidewalk with son-in-law Jack Donaghy, played by Alec Baldwin. She tells him that she contributes to the "Baltimore Philharmonic," a non-existent orchestra. 

"Of course lately it's just a Boombox and a guy in a crab suit," Steenburgen's Diana Jessup says. "He gets shot out of a cannon at Ravens' games. The city may not be thriving."

Getting airtime on a national, primetime comedy show is no small feat for Charm City. And at least one local blogger, who goes by the name Baltimore Boy, could not be more pleased.

"I don’t mind a dig at my beloved hometown when it’s both a low-blow AND clever," he writes. You can read the rest of his analysis here. 

Even Baltimore's real classical music group, the Baltimore Symphony Orchestra, enjoyed the attention. Check out their Facebook page. 

Esquire contributor John Mariani has featured Baltimore in a new section of his website that highlights good day-trip destinations.

He focuses on restaurants in Mount Vernon, Harbor East and Little Italy, including Tio Pepe, Charleston, Aldo's Italian Restaurant and Chazz: A Bronx Original. 

"A good deal of the charm of the surrounding neighborhoods are its townhouses, built along British lines, with their identifying marble stoops, and there is a thriving Little Italy, adjacent to the Inner Harbor," Mariani writes. 

You can read the rest of his description of Charm City here. 

It was 2012's first snowfall, but that didn't stop 200 people from trekking to the University of Baltimore for the second annual Create Baltimore. 

"Ideas were spit-balled, the collaborators of tomorrow (perhaps) met each other and an assortment of topics were covered," writes the Baltimore Brew. "People discussed mapping and visualizing, journalism and various ways to shine a light on government data, creating an advocacy organization for city bicyclists, improving food access in urban neighborhoods and a host of other ripe topics."

You can read the rest of the story here. 

If you're an art lover, you are probably used to getting the occasional stern warning from security guards when you step a little too close to the Monet.

Well, at the Walters Art Museum's new exhibit, you can get as close as you want to the art. You can even touch it.

The Huffington Post previews the exhibit, which runs January 21 - April 15, 2012.

"The Walters Art Museum is merging the tactile pleasures of art with the neuroscience of how our brains respond to tactile stimuli," the Huffington Post writes. "The museum is teaming up with the Johns Hopkins University Brain Science Institute to invite viewers to touch works of art and meditate on why this physical contact is so appealing."

You can read the rest of the story here.

Darcie Chan is a 37-year-old attorney who has sold 400,000 copies of her self-published book "The Mill River Recluse," writes the Wall Street Journal.

And Chan got her law degree from the University of Baltimore. Numerous literary agents and publishers rejected the book before Chan decided to publish it herself, she tells the newspaper. You can read more about Chan's literary success here. (Registration is required).

The Baltimore Symphony Orchestra's most recent performance at Carnegie Hall tells the story of French heroine Joan of Arc and gets a nice review in the New York Times.

The newspaper writes that BSO Music Director Marin Alsop led a "tightly wrought performance" of "Jeanne d'Arc au Bucher," or Joan of Arc at the Stake, by Swiss composer Arthur Honegger.

Musicians from the Peabody Children’s Chorus, the Morgan State University Choir, the Peabody-Hopkins Chorus and the Concert Artists of Baltimore also took the stage. You can read the whole review here.

Middle East North Africa Financial Network reports via McClatchy on Lyric Opera Baltimore's budgetary and artistic changes in advance of the season opener La Traviata on November 4. For example, American artists will predominate, with fewer international vocalists and actors taking the stage. From the article: The opening production, Verdi's "La Traviata," is the first of three productions scheduled for the inaugural season. This will provide a showcase for the $13 million of much-needed renovations just completed in the facility, rechristened last year in honor of the patrons who capped the renovation funding: the Patricia & Arthur Modell Performing Arts Center at the Lyric. Read the entire article here.

As part of a year-long 20th anniversary celebration, the Baltimore Contemporary Museum is exhibiting 20 portrait photos taken by Ben Gest.

The exhibit, titled "Ben Gest: Commissure," gets a favorable review by the Washington Post's Michael O'Sullivan.

"Stare long enough at one of the photographer's large-scale portraits and you just might get motion sickness," the Post writes. "The people and the environments they capture - though "capture" is not exactly the right word; everything and everyone in them squirms a little too much - seem skewed or warped at impossible, even vertiginous angles"

But the exhibit gets high praise. "Like the best art, Gest's images ask a question, without providing an answer: Who among us is comfortable - or even fully at home - in his or her own skin?" the Post writes.