Baltimore native Matt Porterfield's name continues to grow. His most recent work, "Putty Hill," just received a favorable review in the New York Times:
"'Putty Hill' doesn't strive for overt social commentary. It drops you into a world that the director, who grew up in the area, knows firsthand: a suburban fringe of stasis, downward mobility and lowered expectations. The karaoke memorial is a low-key, almost perfunctory affair whose dominant mood is a sad sense of shared community."
Read the full review
here.